erase. 
Oh gee 


ae 


—" 


j ; 


b: 


Wye 


ert 


ay 


wee rane 


(Nos.left out are unimportant) 


Cale 

Bashford Dean 
N.E.Montrese 
Dr. Muller 


J.D. Baker 
Knoedler . 
N.Sanbern. 
R.D, a 
J. Weiteme yer 
MeDonough 

” 


AK 
(order) 


McDonough 
(order) 


Knoedler 
PP: Baker 
Goldblatt 
U.LaReche 
Me. Deneugh 
Knoedler. 
(order) 
se 


Gellatte 


SSS Uke own oon she eee i 


| 


SSSSIRRR88 


Wyatt Daton 


R. Thourkeuff 
$.G0it Brown 


Louis Loeb 
§.Beiaks 


Wlackens 
Frank Stone 
R.Peale 
Preneis Alexander 
J.Vesley Jarvis 
F.Hels (Attributed to) 
Bf eb. Gta” 

” 


A. He Wpant 


. : 
George Inness,Jr. 
te 


Rob. Newnan 

4.3 ..urphy 

George Inness 

John Linnell 
J.DdeHofner 

A. Seifert 

Robert De Paw 

“ayteh (1) 2 paintings 


Golo Gali. 
Kelly Art Gall. 

y 
E.F.Dutrich 
C.F, Ds 

Gall. 

Bashfor’ Dean 
Sale 
Cowan 
R.Dudersing 
RD. 
Leh. Thonpson &. 
Cpwan 8. 
Kelly 2 
Cowen 27.50 
Calo 5. 
hE lontrese 375. 

oa 3 &3* a5, 
Re Lesehrer 17% 50 
Seowan 217.50 
Dr. lilies 20. 

“ 100. 
Cowan 12.50 
Dr.Muller 60.77. 

! } Re aC 1,206. 

* 
RD. 35, 
Aci. Francis 26. 
J.D.Boker 105. 
Kneedi er 130, 
Dr. Muller 68. 
All. Froneis 15s 
DP huller 22.50 
Kelly 15. 
Ali. Francis 25. 
He Sanborn 120, 
Dr. Maller 70. 
RD. 235. 
He Ke Hoehaehiza 40, 
J.Weiteneyer 225, 
MeDonough 50. 
Galo 80, 

- 15, 


a ee a ee ee a ee ee ee ee ee ee eg ee 


: 
& 

| 

E 

=f 
ae 


a r ' eet 
, . ; : 
+ 
‘o 


P.Cabrera Canto 
AuG Cazoria 
a ng 


‘fouds Rhead 
7 o.uamecerd 


David Jomson 
H.C. Bisphan 


’ RF .Field 


A.Calmimphy, No A.C, 


Fed. Weugh 


P,.Cornoyer 
_ Unknown 


Robert Kluth — 
¥, foulecroix 
i. Terkurgh 


we 


Jules Temes 


C.%. Yeorhesa 

PF oie Bicknext 

Edward Sicbert 

Edward Moran 

Lowis Aubry 

Thenas B.Craig, Aele he 

hepa s drapgaigiy Nee 
Y.HeFoote, S.A» 

We El. Howe, NeaAe 

i. O0.Walker 

ReAsblakelock, NeA. 

Congtent Troyonu 

A.T.Van Laer 

Bruce Crave, A.A. 

Unknown Master 

Jean Jacques Henner 

‘A follower of Purilio 

&. Greenaningon 

wWeRtty 

6. Durand 

Je8eLembraec his 

.eon Richet 

JeSe TAU quet 

T Rous sean 

¥.S.Gmreh, NeAe 


Cowen 
A rebnareing 
Galo 


Pusat end 1.Yerboeskhoven Order — 


T.Weittneyer 
Coven — 


heleFs 
order 


‘Aplington Gell. 


Red. 
Order 
F Weiteneyer 
Arlington 
UeLe Rocke 
order 
hed -Golablatt 
RK. TYeschner 
A.M. Freneis 

e 


# 
Wie.Donough 
Jetutchingon 
Order 
7. Weitmeyes 


 Avlington 


Orier 
Cowen 
A.H.¥rencis 
Goal bl att 
lie. Donough 
AeM. Francis 
i.bresiin 
Goléblets 
Reds 

Dr. Be 
Knoedl er 
JaD. Raker 
Goldblatt 
'MeLa Roche 
Bedonough 
&.F.Dulrich 
KneedLer 

g . F. Bul righ 
Omer 
R.oJ.Horgan 
Order 

BaF Dd. 

Order 

g Gelakiatt 


sented od 


a 4 a? : 


z é CEN Es Ko * 


= petanen des: <r 


Pate! iv 


oe 


ae 


_ 3§%) ILLUSTRATED CATALOGUE OF 
& 


VALUABLE PAINTINGS 


TO BE SOLD FRIDAY EVENING, NOVEMBER TWENTY-FIRST 
AT 8:15 O’CLOCK 


THE ANDERSON GALLERIES 


PARK AVENUE AND FIFTY-NINTH STREET, NEW YORK 
1919 


\ ene 


| THE OWNERS OF THIS COLLECTION 


GEORGE S. HELLMAN, A. M. 


NEW YORK 


MRS. JULIA E. GREEN 


NEW YORK 


THE ESTATE OF THE LATE 
SOLOMON MEHRBACH 


NEW YORK 


AND OTHER PRIVATE OWNERS AND ESTATES 


cL. : | 
LIBRARY ) 


No.7 59a |MAKNOEDLER & GO. 
"| 556-8 Fifth Ave. 
ACC. New York 


ey 1S 49am 
a _ SALE NUMBER 1446 
_ ON PUBLIC EXHIBITION FROM THURSDAY, NOVEMBER THIRTEENTH 


‘ 
tes 


-s ” 
ue 


ILLUSTRATED CATALOGUE OF 


VALUABLE PAINTINGS 


TO BE SOLD FRIDAY EVENING, NOVEMBER TWENTY-FIRST 
AT 8:15 O’CLOCK 


THE ANDERSON GALLERIES 


PARK AVENUE AND FIFTY-NINTH STREET, NEW YORK 
1919 


CONDITIONS OF SALE 


All bids to be PER Lot as numbered in the Catalogue. 


The highest bidder to be the buyer. In all cases of disputed bids the 
lot shall be resold, but the Auctioneer will use his judgment as to the 
good faith of all claims and his decision shall be final. 


Buyers to give their names and addresses’ and to make such cash 
payments on account as may be required, in default of which the lots 
purchased to be immediately resold. 


Purchases to be taken away at the buyer’s expense and risk within 
twenty-four hours from the conclusion of the sale, and the remainder 
of the purchase money to be paid on or before delivery, in default of 
which The Anderson Galleries, Incorporated, will not be responsible if 
the lot or lots be lost, stolen, damaged, or destroyed, but they will be 
left at the sole risk of the purchaser, and subject to storage charges. 


To prevent inaccuracy in delivery, and inconvenience in the settle- 
ment of purchases, no lot will be delivered during the sale. 


All lots will be exposed for public exhibition in The Anderson Gal- 
leries before date of sale, for examination by intending purchasers, 
and The Anderson Galleries, Incorporated, will not be responsible for 
the correctness of the description, authenticity, genuineness, or for any 
defect or fault in or concerning any lot, and makes no warranty what- 
ever, but will sell each lot exactly as it is, WITHOUT RECOURSE. ‘  \ 


Bips. We make no charge for executing orders for our customers 
and use all bids competitively, buying at the IdWweot price permitted by 
other bids. 


The Anderson Galleries, Incorporated, will afford every facility for 
the employment of carriers and packers by the purchasers, but will not 
be responsible for any damage arising from the acts of such carriers 
and packers. - : 


THE ANDERSON GALLERIES 


INCORPORATED 
PARK AVENUE AND FIFTY-NINTH STREET. 
NEW YORK 
TELEPHONE PLAZA 9356 CATALOGUES ON REQUEST 


SALES CONDUCTED BY MR. FREDERICK A. CHAPMAN 


UNKNOWN 
- FRENCH SCHOOL, 18TH CENTURY 
7 AFTER THE HUNT 
oe Lhe hunter, with his game hung up on a tree, lies on the ground — 
_ resting with his three dogs close by. Background of sky and distant 
blue hills, © | 7 | 
— Canvas. Height, 1234 inches; width, 10 inches. 


UNKNOWN 


_ RENAISSANCE STYLE 


2 COMPANION PORTRAITS OF TWO NOBLE VENETIAN 
Seen DIES (Iwo) ~~ 
> ’ One, in a costume of green and red brocade sumptuously embroid- 
ered in jewels and gold, wears a stand lace ruff and a head dress 
of jewels. The other, who resembles Catarina Cornaro, is in a 
costume of red and gold brocade with an elaborate head dress of 
lace and jewels. Her necklaces, earrings and comb are set with 
rubies, pearls and emeralds. The costumes painted with great. 
attention to detail. (/ulia E. Green coll.) 
Panels. Height, 27% inches; width, 21 inches. 


eo Ce aes egies 


re 


UNKNOWN . 


a DUTCH SCHOOL, 17TH CENTURY 
3 AN ITALIAN SUNSET 3 


ea A traveller, whose form is silhouetted against the sky, rides on a 

»,— donkey across an arched stone bridge to a town built among the 

~ _—_ rocks. The arch way of the bridge frames a boat and a glimpse of 

the river. The bridge and town with its flat, Italian roofs stand 

4. out against the sunset sky. By an artist influenced by Pieter van 
pLaer. (Julia E. Green coll.) 

~~ Panel. Height, 14 inches; width, 20 inches. 


R. B. 
Ss ENGLISH SCHOOL, ABOUT 1825 

= 4 THE RESCUE 

»>{- A boat in the trough of a stormy sea sends out the life line to two 
7 men who have been cast overboard. (Julia E. Green coll.) | 

y, . Canvas. Signed to the right: R.B. Height, 26 inches; width, 36 
( L inches. 


” 


1 


ee 


ef bine 


UNKNOWN 


ITALIAN SCHOOL, 17TH CENTURY 


THE ENTOMBMENT 


Three of Christ’s disciples wrap the grave clothes about his inert 
body, while one with a torch lights the darkness of the tomb. Back 
of the disciples stand the two Marys, one with hands outstretched 
in an abandonment of grief, the other weeping with bent head. 
Above the group fly three angels. (Julia E. Green coll.) 

On copper. Height, 17 inches; width, 1434 inches. 


COPY AP TER TEN TEi 


DUTCH SCHOOL, 18TH CENTURY 


THE LOSING HAND 


Two peasants at cards, the one who is ogee urged to drink by a 
clever accomplice sitting at the end of the bench. The shrewd 
winner sits easily back in his chair, watching with an amused smile 
the confusion and anxiety of his opponent. Background of a typi- 
cal peasant inn with stone walls and floors and vessels and jugs 
scattered about the room. (Julia E. Green coll.) 

Canvas. Height, 12 inches; width, 18 inches, 


KK. BAI LC 


FRENCH SCHOOL 


CHIU Dew PTR BA Dinas 


Exquisite painting of a small girl holding a balloon while a cocka- 
too hovers over her hear. (George S. Hellman coll.) 
Canvas. Signed at lower left. Height, 10 inches; width, 8 inches. 


UNKNOWN 


ITALIAN; 16th CENTURY DESIGN FORSASSi a 

Two paintings in one frame in gray and gold leather. Painted in 
Lombardy, assuredly by some important Northern master and 
probably designed for one of the Italian princes. Paintings of this 
nature and quality are of excessive rarity and it is believed that no 
other such pair of designs for a shield have been offered at Amer- 
ican sale. Slightly blistered but could be easily repaired. (George 
S. Hellman coll.) 

Upper panel: height, 11 inches; width, 25 mches. Lower panel: 
height, 9% inches; width, 25 mches. 


9 


-P. VAN SCHENDEL 
er . DUTCH SCHOOL 

Lic HTING THE LAMP 

Painting showing two men whose faces are remarkably illuminated 

Ae y the burning coals. (George S. Hellman coll.) 

mel. Bh eight, g9 inches; width, 8 inches. 


ot 


a . __PINCHARD 
a a FRENCH SCHOOL 
10 V OMAN DRYING HERSELF AFTER BATH 


sty ne example of this delightful 19th Century French painter. 
(George S. Hellman coll.) 
Canvas. ait Galt, 15 “a inches ; width, 10 inches. 


a. EVENING 

Landscape i in France with church in center foreground, dark fields 
and luminous sky.) (George S. Hellman coll.) 

. tives Height, 11 inches; width, 14 inches. 


L. NEUBERT 


J-SCHWARZ 

roy CONTEMPORARY AMERICAN PAINTER 

yi2 VIEW OF LOWER NEW YORK 

iE As seen from the Hudson River near West Street. (George S. 
_ Hellman coil.) 


Canvas. Signed at lower right. Height, 5% inches; width, 7% 
Ls Be inches. 


- GEORGE H. McCORD 
43 MARINE 
With ships in center foreground and snowy coast at right. A par- 
vo ticularly choice example of this well-known American painter. 
= (George S. Hellman coll.) 
Canvas. Height, 9 inches; width, 11% inches. 


SADAKICHI HARTMANN 


CONTEMPORARY AMERICAN PAINTER AND POET 


Ba SPRING LANDSCAPE 

— With trees with light foliage in center foreground. (George S. 
Hellman coll.) . 

Vater color. Signed lower right. Height, 14 inches; width, 11 
inches. ; 


_—. |. 


2 


17 


2 ai - 
nee 


SADAKICHI HARTMANN 


CONTEMPORARY AMERICAN PAINTER AND POET 
WINTER LANDSCAPE 


Showing pine trees heavily laden with snow. (George de Hellman q 


coll. ) 


inches. 


R. THEURKBACGEE 


CONTEMPORARY AMERICAN PAINTER 


WINTER LANDSCAPE : . 
From the Salmagundi Club sale. (George S. Hellman coll.) 


Canvas. Signed at lower right. Height, 10% imches; width, 15% q 


inches. 


BOLTON COLT SEG 


CONTEMPORARY AMERICAN PAINTER | 


CALIFORNIA. HILLS 
(George S. Hellman coll.) aes 
Canvas. Signed at lower right. Height, 18 inches; width, 27 inches. 


LOUIS-EORE 


LAS TOUR MAC DITE 


Painting of French landscape with puldiee (the Haunted Castle ?) 
in center foreground. (George S. Hellman coll.) 
Canvas. Height, 15 inches; width, 20 inches. 


GEORGE. BY iis 


CONTEMPORARY AMERICAN PAINTER 


THE WIDOW McGEE 

The Widow McGee was an old woman of Schuykill, Pa., where 
Luks painted this portrait. It comes from the Breckenridge Col- 
lection (in Virginia), the price paid for it in 1902 having been $500. 
It passed through a fire in the Breckenridge home with some damage 
to the edges of the canvas, but otherwise with only an improving 
effect. Mr. Luks considers it one of his masterpieces and among 
the greatest of his portraits. (George S. Hellman coll.) 

Canvas. Signed lower left and also on back of canvas. Height, 
24 inches; width, 18 inches. 


4 


Water color. Signed lower right.. Height, 15 inches; width, 10 = 


ETEEN | 


= 
a 
4 
ea 
fos) 
i 


[NUD 


20 


24 


The next five pictures by Wyatt Eaton, coming from 
the collection of Mrs. Wyatt Eaton, are among a very 
few examples by this rare American artist that have _ 
ever been offered at auction. . 


Wave Ler Os 
1849-1896 
TELS OUN Te Sie Ae 
Painting of a mountain lake with hills in the background and brill- 
lant sky in upper center. (George S. Hellman coll.) | 
Canvas. Signed note by Mrs. Wyatt Eaton on back of ie Height, 


- 15 inches; width, 11 inches. 


WYATT Bears 
1849-1896 
NUDE STUDY , 
Painting of the upper portion of a nude man. Painted when Eaton 
was studying at the Beaux Arts, Paris. (George S. Hellman coll.) . 


anvas. Signed note by Mrs. \Vyatt Eaton on back of frame. Height, 
16 inches; width, 13% inches. | 


WYA Pi BA ony 
1849-1896 
THE BATHER 
Painting of a nude man seated on a white towel at the edge of a 
brook. (George S. Hellman coll.) 


Canvas. Signed note by Mrs. |! yatt Eaton on back of frame. Height, 
14 inches; width, 18 inches. 


WYATDE HATO 
1849-1896 
LANDSCAPE 


Painting of landscape near Lake Champlain. (George S. Hellman 
coll.) 


. Canvas. Signed note by Mrs. IV yatt Eaton on back of frame. Height, 


9 inches; width, 11 inches. 


WYATT EATON 
1849-1896 —-, 
SILENT UPON A PEAK IN Daa 
Painting with imaginary portrait of John Keats and illustrating 


the sonnet, [On first looking into Chapman’s Homer.” (George S. 
Hellman coll. ) 


. Canvas. Signed note by Mrs. li’yatt Eaton on back of frame. Height, 


11% inches; width, 12% inches. 
6 


Be Nv ecrtoA Cay LIN S 

= 2o THE MODEL 

Painting of a nude model, left corner of a sofa with her clothes 
scattered around. An especially interesting canvas by this im- 
:. portant American painter. A sweep of brush from right to left 
a7 ¢° ~ shows that Mr. Glackens painted this picture over another picture 
4 he had already started. (George S. Hellman coll.) 


: Canvas. Signed at lower right. Height, 19% inches; width, 23 
D Manges ‘ 


é 
owe 
Pe 
i 


PRANK SrONE 
26 THE LOVERS 
Charming painting on copper by this rare early 18th Century 
78 — painter. (George S. Hellman coll.) 
Canvas, oval. Height, 934 inches; width, 7% inches. 


REMBRANDT PEALE 
1778-1860 


| eee el) Or WILLIAM COLEMAN 

Sa, Coleman was one of the founders and first editors of the New York 

' # —  Ewening Post, a copy of which is held in his hand in this portrait. 

in This canvas was included in the exhibiton of nineteen American 
5 portraits held at the Ehrich Galleries, October, 1917. In frame 

i/ yf . with oval opening. (George S. Hellman coll.) 

Canvas. Height, 30 inches; width, 35 inches. 


DANIEL WEBSTER AND HIS WIFE 
[Lots 28 AND 28a| 


The following two portraits to be sold as a pair come 

- from the home of Mrs. Daniel Webster in 33rd Street 
near Fifth Avenue. These portraits were left by Mrs. 
Webster to an old family retainer, Mrs. Mary Sother- 
land, from whom they were directly purchased by the 
present owner. They constitute both from an artistic 
and personal point of view a most important pair of 
portraits relating to the greatest of American orators. 
An extensive typewritten article on these porraits 
accompanies them. 


-l 


FRANCIS ALEXANDE® 
1800-1881 


PORTRAIT OF DANIEL WEBSTER 


Full face, bust portrait painted in 1825 by a rare American portrait 
painter, some of whose examples are in the Boston Public Library, 
and there is a replica in the Dartmouth College Library. This 
pleasing canvas painted for ‘Webster is the first special item men- 
tioned in his will in the sentence, “To my wife I give the picture of 


myself by Alexander.” 


Canvas. Height, 30 inches; width, 25 inches. 
8 


JOHN WESLEY JARVIS 
ATTRIBUTED TO 


28a PORTRAIT OF KATHERINE LEROY WEBSTER 
Second wife of Daniel Webster. (George S. Hellman coll.) 
Canvas. 34 inches x 36 ches. 


9 


29 


5 S- 


afl 


Vg" . 


-FRANS HALS 

[ ATTRIBUTED TO | 

BO Wawel PR | 

This painting offers important possibilities for research as its re- 

markable brush work points, if not to Hals (under whose name it 

has gone in previous collections), certainly to some other great 
painter. (George S. Hellman.coll.) 

Panel. Height, 16% inches; width, 14 inches. 


J. B-GRE@Zs 
| ATTRIBUTED TO | 
1726-1805 
THETA FERRED BOM 


Painting of street urchin seated and holding a long stick. 
(George S. Hellman coll.) 


. Canvas. Height, 13 inches; width, 10 inches. 


J. B. GREUZE 
| ATTRIBUTED TO | 
1726-1805 
GIRL WITH DOG 
Young girl seated on a rock by a brook fondling a white dog; 
background of trees and blue sky. (George S. Hellman coll.) 
Canvas. Height, 13 inches; width, 934 mches. 


A TL. Wie 


ADIRONDACK LANDSCAPE | 
Painting of the Racquette River in the Adirondacks with hills and 
mountains in the background. Early painting in great detail show- 


ing the influence of the Dusseldorf School. (George S. Hellman 
coll.) 


Canvas. Signed at lower left. Height, 14 inches; width, 23 inches. 
10 


| j 33 
| Go- 
} mM. 


34 


< ; - ~— : ~ — 
Spa's At 4 “ ) . > 
Tet Gad ea 
. <1 ant igh : 4 
’ alia ig ; 


HEN ewig 


= 


=_ 


~ 


A. H. WYANT 
EVENING LANDSCAPE 


- Painting with pool and trees in foreground and beautiful sunset 


sky in background. Painted in sketchy manner and said to have 
been given by Wyant to his landlady in lieu of payment of rent. 
(George S. Hellman. coll.) 

‘Canvas. Height, 9 inches; width, 12 inches. 


GEORGE INNESS, Jr. 


CONTEM PORARY AMERICAN PAINTER 


THE HOUR OF REST 


Painting in black and white. Hunters in the Rocky Mountains are 
preparing the evening meal with a group of horses resting on the 
left and stream and, pa cliffs in the background. (George S. Hell- 
man coll.) 


Paigheas: Signed at lower left. Height, 18 inches; width, 16 inches. 


PoORGE INNESS; Jr. 


CONTEMPORARY AMERICAN PAINTER 


eek LISS STUDIO 


Painting in black and white showing the artist himself seated at 
his easel and painting a scene with cattle. Striking and interesting 
example. (George S. Hellman coll. ) 

Canvas. Signed lower left. Height, 14 inches; width, 19 inches. 


GEORGE INNESS, Jr. 
CONTEMPORARY AMERICAN PAINTER 
PeNTING IN THE ROCKY MOUNTAINS 


In black and white. (George S. Hellman coll.) 
Canvas. Signed lower left. Height, 15 inches; width, 16 inches. 


[itty am 


GEORGE INNESS, Jr. 


CONTEMPORARY AMERICAN PAINTER 


375 SO LAGSILUN 


Painting in black and white showing hunters engaged in battle with 
a herd of deer. (George S. Hellman coll.) 
Canvas. Signed. Height, 15 inches; width, 20 inches. 


12 


R. L. NEWMAN 
1827-1912 


38 CHRIST AND MAGDALENE 
Painting showing repentant Magdalene kneeling before Christ. 
Rene painting by a rare American artist much sought after 
by the collector. From the Katz Galleries. (George S. Hellman coll:) 


A Canvas. Height, 10 inches; width, 14 incehs. 


JAMES FRANCIS MURPHY 
AND OTHER ARTISTS 


L390. TWO DESIGNS FOR A FAN 


1 A. Design for a fan whose six panels have delightful little water 
. colors painted by J. F. Murphy, G. H. Smillie, W. S. Macy, Arthur 
4 Quartley, R. Swain Gifford and W. J. Smith. The circular pane! 
| is a little landscape by J. Ludovici. Each of these panels is signed 
hey JO — by the artist and constitutes a very remarkable group. 

: | B. Design for a fan whose six panels have delightful water colors 
| ~—___ painted by Wm. Sartain, Chas. C. Coleman, A. D. Abbatt, Fred- 
| Py erick Dielamn, Launitz Raymond and Victor Nehlia. In the cir- 
‘ Ph M cise panel the monogram G. L. S. or G. S. L. appears in blue and 
gold. All together these designs for a fan make a very unusual 
item. These two items being made for the two sides of a fan will 
be sold asa pair. (George S. Hellman coll.) 


GEORGE INNESS 
40 LANDSCAPE 


4 Painting of woodland scene with brook in foreground. Painted 
14 3 I —in 1888 and still bearing on the back of the frame the tag showing 
ie that it was sent to an exhibition at Buffalo. (George S. Hellman coll.) 


Canvas. Signed lower left. Height, 9 inches; width, 11 inches. 


i JOHN LINNELL 
q ENGLISH SCHOOL, 1792-1882 


me 41 THE AFTERGLOW 
A row of stately trees, dimly revealing through their branches the 

i last faint afterglow of the sunset. This landscape has in common 
; with all of Linnell’s work the pathos with which he invested nature. 
ds Paintings by this well-known artist are in the Tate and National 
im Galleries. (Julia E. Green coll.) : 

s Academy board. Signed at the lower left. Height, 5¥4 inches; 
e width, 10% inches. 


MAUL fi 


JOHANN BAPTIST HONE 


GERMAN SCHOOL, PUPIL OF PILOTY 


42 SHEARING THE SHEEP 
This is a family scene from Bavarian rustic life, a white family 
ye teseces in the washing and shearing of the little flock of sheep. In 
the background the men are scrubbing the patient beasts, knee 
(Cz deep in the lake, while ashore in the foreground the women folk 
Va are relieving the sheep of their wool. A little boy has caught up 
his favorite lamb in fear that it, also, will be subjected to such 
indignities as a bath and a hair cut and presses the small beast to 
his breast. An animated scene with figures of human beings and 
M animals handsomely painted on a grand scale. . 
4 Canvas. Signed and dated, 1871. Height, 65 inches; width, 90 


inches. 


ALFRED SET Rita 


GERMAN SCHOOL, 1850-1901 


43 ROMAN GIRL WITH ROSES 
4 o A dark-haired girl in Roman costume, with a wreath of pink roses 
0 bound about her head. She is seated upon a marble bench with a 
basket of pink and red roses by her side. A charming composi- 
tion combining the spirit of Bulwer’s “Last Days of Pompeii” 
with the lyricism of Alma-Tadema’s painting of Roman life. 
/\\ Canvas. Signed at lower right. Height, 20 ches; width, 12 inches. 


ROBERT DE Pax 


BELGIAN SCHOOL, ABOUT 1870 


44. FEEDING THE PARROT 


By the open door of a balcony a lady in a full blue dress feeds her 
7 parrot while a dog ona chair below the perch watches with interest. 


Zo (The late Solomon Mehrbach coll.) 
Panel. Signed and dated at the right: Bruxelles, 1872. Height, 21 


- : inches; width, 17 inches. 
(yh 


WIRTCH (?) 
GERMAN SCHOOL, 18TH CENTURY 
45 HEBREW SCHOLARS—TWO PAINTINGS bs 


4S Portraits of two gray-haired, bearded old men with somewhat simi- 
JN lar features, the expression of the one revealing a somber, medita- 
tive nature and that of the other an alert, aggressive attitude 
: toward life. (The late Solomon Mehrbach coll.) 
Vik Canvas. Height, 6% inches; width, 5 inches. 


14 


JEAN IGNACE ISADORE GRANDVILLE (?) 


FRENCH SCHOOL, 1803-1847 


feo NINE PROFESSOR 

A spaniel in professorial dress stands by the side of a table with 
one paw upon an outspread book and the other thrust deeply into 
/ —)his pocket. His spectacles are pushed back upon his forehead, the 
entire attitude expressing profound reflection. Pictures of this 
type, bringing animals into the human comedy according to an 
artistic fancy of the times, were painted in France by Grandville, | 
¢ra.Whose real name was Gerard. For this reason, the painting being | 
“~*~ signed Gerard, it is in all probability an early work of Grandville. 
(Julia E. Green coll.) 

Canvas. Signed at the left. Height, 10 inches; width 8% inches. 


> a 
Z By 


Saat 
WILLIAM D. KENNEDY 

SCOTTISH SCHOOL, 1813-1865 
| DOG ASLEEP | 
1 A skye terrier lies asleep by the open door of the dog kennel. 
Wf Excellent sketch. (Julia E. Green coll.) 
‘| Ponel. Signed in the upper left corner. Height, 534 inches; width, 
a 734 mches. 


+ 6 " A ~ 


CARL HUBNER 
a GERMAN SCHOOL, 1814-1879 
| 48 FORGIVENESS 
— An old peasant mother intercedes for her son, who has just re- 
~ f/%o —turned home with his bride. The shrinking girl stands by, the 
4 door way, while the son, his hand in his mother’s, stands awaiting 
z forgiveness. But the old father, still unrelenting sits stubbornly 


| az by the table on which his unfinished supper is spread, and tries to 
no, va oe the pleading of his wife. Background of a peasant cottage 


P -hunting implements upon the wall. (The late Solomon Mehr- 
= ach coll.) 

| Canvas. Signed and dated 1885 to the right. Height, 31 inches; 
width, 40 inches. 


15 


50 


51 


CARIZHIFTZ 


GERMAN SCHOOL, 1885 
GAMES 


A merry group of Swiss peasants are playing games—a group at 
the table at cards, a young man and woman at a game of forfeits, 
and two children at the right making card houses. Grandfather 
smokes his pipe and looks down on the merrymaking below, while 
grandmother sits by the window reading. The bright peasant cos- 
tumes and the merry expressions of the faces lend variety and 
interest to this picture. (The late Solomon Mehrbach coll.) 

Canvas. Signed and dated Miinchen, 1885, at the right. Height, 
344 inches; width, 45% inches. . 


C. FE. BOETECH Es 


GERMAN SCHOOL, 1871 


“TOILET. 


A sturdy peasant girl in a white waist and a red petticoat is comb- 
ing her long golden hair near an open window with plants standing 
on the table below. The curtained bed and the-half open chest 


with a dress hung across it form a dark background for the figure 


of the girl. (The late Solomon Mehrbach coll.) 


Canvas. Signed and dated 1871 at the right. Height, 24 inches; 
width, 18 inches. 


ALBRECHT KINDLER- 


GERMAN SCHOOL, 1833-1876 


PORTRAIT OF AN OLD PEASANT MAN an 
A wrinkled, weather-tanned old peasant smoking a pipe. In the 


' lines about the eyes and mouth the artist reveals a shrewd, narrow 


man come to a defeated and bitter old age. (Julia E. Green coll.) 
Canvas. Signed to the left. Height, 7 inches; width, 5 inches 


L. BARALOW ie 


RUSSIAN SCHOOL, ABOUT 1880 . 


THE VISITOR 


A young lady in evening dress cautiously peeps through the red 
velvet curtain of an anteroom to catch a glimpse of her visitor, 
while a companion, also in evening dress, gazes over her shoulder 
with scarcely less interest than that displayed by her friend. The 


ww details of costumes and draperies executed with great attention to 


Lo” ( detail. 
4 ee Signed to the left. Height, 20 inches; width, 1434 inches. 


16 


: : V. CORCOS 
. ° FRENCH SCHOOL, 1884 
mes LHE FIRST KISS 

q Midway in the descent down a broad stone staircase a lover bends 
_ to kiss the hand of a charming lady bearing a large bouquet of 
_*f- daisies and poppies in one arm. Her head is slightly turned to him 
© ~ in shy acceptance of the caress. 
_ Canvas. Signed and dated 84 at the right. Height, 40 inches; width, 

2414 inches. 


J. KIELHOFF and E. VERBOECKHOVEN 


| BELGIAN SCHOOL, 1866 
54 THE FARMYARD 


In the foreground a peasant woman drives the cows and sheep 
down to a small stream. To the right is a low stone farm house 
with fine old trees in the yard. A number of chickens run about 
the lawn.. Background of a vista of surrounding country and a 
broad expanse of blue sky. The landscape by Kielhoff, the figures 
by the well-known animalist Verboeckhoven. (The late Solomon 
Mehrbach coll.) 

Canvas. Signed at the right: J. Kielhoff, 1866; fig. E. Verboeck- 
hoven. Height, 26% inches; width, 41 inches. 


= 


-3y0- 


PecApRERA CANTO 


f MADRID _ 

4 Grand prize, Paris, Rome and Spain; gold medal, 

=. | San Francisco, 1915 

_, 55 WOMAN’S LOVE 

4 ,.y Thecatisatriumph. It is worthy of Steinlen. The whole picture, 
/° indeed, has an air of distinction and strikes a profound note. The 
4 title “Woman’s Love,” is Sefior Canto’s. Her love, at her age, 1s 
a for—the fire and a pet cat. 

Fu ight, 41 inches; width, 21 inches. 

£ 

a ALEJANDRO CARDUNETS CAZORIA 

7 BARCELONA 

% 56 MONTRAY 

4 


‘s Montray is a picturesque village in the north of Spain. 
/2 2 Height, 25 inches; width, 29 inches. 
2 17 


“ 


— CovsOa~ * 


CONS TAN TENO GORE 


VALENCIA 


Medals, Paris, London, Turin, Brussels, Madrid and Barcelona; 
bronze medal, Panama-Pacific International Exposition, San Fran- 
CISCO oto silver medal, Panama-California International Ex posi- 
tion, ‘San Diego, 1916. , 


57 FRUIT STAND IN VAEENGEY 


20 o 
qit 


Water color. Probably the largest fruit piece that has ever been 
painted in water color. The artist has made a fruit store epical. 
Height, 26 inches; width, 38 mches. 


LOUIS Riva 


AMERICAN SCHOOL, CONTEMPORARY 


98 “THE QUAT VOLTALR EIN = coe 


Is 
yl 


A characteristic corner of Old Paris on the embankments of the 
Seine, opposite the Institute de France, the sacred institution for 
art and science in France. On the embankment are the boxes of 
the second-hand book dealers whose clientele is composed of 
original Paris types; the old professor with flowing hair, the baker’s 
boy, the priest. The coachman to the right seems more interested 
in politics than in books. In the background the statues of Pont 
des Arts and a typical specimen of Paris street architecture. 

Canvas. Signed to the left. Height, 29 inches; width, 41 inches, 


G. He Mee@Gikas 


AMERICAN SCHOOL—BORN 1849 


59) WW UNTER Re Ss iN ea 


ae 
3 
ph 


poston’ 


A snowy country road witha house at the side sheltered by fir 
trees. Background of sunset sky in shades of yellow. Dramatic 
contrast between the cold gray tones of the snow and the warmth 


of the sunset colors. | 
Canvas. Signed to the left. Height, 6% inches; width, 10 inches. 


BR. PPE wie 


AMERICAN SCHOOL, 19TH CENTURY 


OO" OX PON Ai as 


A tree with tints of early autumn and two oxen at rest in the fore- 
ground. To the left the figure of a man beside a newly felled tree 
merges with the green brown background of trees and hills. 

(Julia E. Green coll.) 

Canvas. Signed at the left. Height, 1134 inches; width, 17% imches. 


18 


C. HARRY EATON 


AMERICAN SCHOOL, CONTEMPORARY 
61 BETWEEN SHOWERS 


= Landscape of road and trees with a background of clouded gray 
QS—sky presaging another shower. A farmer and his team jog along 
m the road. 

Canvas. Signed to the left. Height, 9 inches; width, 12 inches. 


MAURICE INGRES 
' AMERICAN SCHOOL, CONTEM PORARY 
-NOVEMBER . 


Landscape with brown fields, bare trees and an expanse of wind- 
swept sky. = . 
Canvas. Signed to the left. Height, 11% inches; width, 16 inches. 


by Peal LIE 


i 
f : AMERICAN SCHOOL—BORN 1833 
i 
= 


rer 1 [en 30 la ee lal Oat teeee te eenee —— 
| hell, ach wr ie = 
fem tie : { ‘ . ; 
¥ “= f =- a 
‘ ~ alte ii oy . 7 ae | 2“ a 
° vs 4 . 7 Ee 
- . 3 


Gre sUNort ON THE MOUNTAIN POOL 


A tree bordered pool reflecting the orange glow of the sunset which 
gleams in bright tints over the mountains in the distance. A charm- 
Y4 ing landscape with vivid color contrast between the dark tones of 
the trees and rocks and the orange tints of sunset. (The late Solo- 


i 

i? -mon Mehrbach coll.) 

| Dlbigledanvas Signed to the left. Height, 111% inches; width, 21 inches. 
a 


UNKNOWN 


b EARLY AMERICAN SCHOOL, ABOUT 1840 


64 HUNTING SCENE ON THE HUDSON 

: Hunters and dog upon one bank; across the stream hilly farm lands. 
— fo— (The late Solomon Mehrbach coll.) 

. Canvas. Height, 11% inches; width, 9% inches. 
Wh lack 

E DAVID JOHNSON 


AMERICAN SCHOOL, 1827-1908 


65 SCENE NEAR NEWARK VALLEY, NEW YORK 
A small creek with cows standing knee deep in the water. Back- 
‘ te ground of trees with luxuriant foliage and a blue summer sky. 
2 (The late Solomon Mehrbach coll.) 
: Canvas. Signed at lower left; also on the reverse. Height, 10 
Osler, inches; width, 1544 inches. 
19 


69 
4 
ame 
70 


HENRY CBS Eee 


AMERICAN SCHOOL, 1841-1882 


LAN-DSGAREVAND GAyiet Ey 

Four cows and a calf stand in a small stream bordered by banks 
with luxuriant foliage. The artist invests both his animals and the 
background with an atmosphere of placid contentment. (Juha E. 


Green coll.) 
Canvas. Signed and dated N. Y., 18/4, to the right. Height, 30 
inches; width, 49 inches. 


R. PP Ee 


AMERICAN SCHOOL, CONTEMPORARY 


A! SANDY MEADOW AT EASTHAMPTON, L. I. 


(Julia E. Green coll.) 
Panel. Height, 5% inches; width, 8% inches. 


ADA CLIFFORD MURPH a 


AMERICAN SCHOOL, CONTEMPORARY 


“SPRINGLIKE” 

Against a background of fresh green lawn and trees, with a single 
budding apple tree in the foreground, a girl in a pale yellow dress 
dances a welcome to spring. A charming picture by the talented 
wife of John Francis Murphy. (Julia E. Green coll.) 

Canvas. Signed to the left. Height, 934 inches; width, 934 inches. 


FREDERICK J. WAUGH 


AMERICAN SCHOOL—BORN 1861 


THE BREAKERS 

A rock-bound coast with incoming breakers dashing upon the rocks 
in a mist of white spray. The distant water a cold blue with the 
rising swells of a high sea. (Julia E. Green coll.) 

Canvas. Signed to the right. Height, 11 inches; width, 15 inches. 


PAUL-CORN@ 


AMERICAN SCHOOL—-BORN 1864 


THE STREET MENDERS 

Horses and teams in the middle of the street, while at the side two 
laborers are at work repairing the paving stones. Background of 
high buildings almost shutting out the sky. In the impressionist 
manner. (Julia E. Green coll.) 

Canvas. Height, 10 inches; width, 1134 inches. 


20 


UNKNOWN 


DUTCH SCHOOL, MODERN 
FARM SCENE 
To the left a barn with overarching} trees, to the right thatched 
farm buildings. In the foreground a small stream with a woman 
at work washing. Sky with tints of early morning. (Julia E. 
Green coll.) 


“Canvas. Signature to the left (undecipherable). Height, 1734 inches; 
width, 25 inches. 


4 
€ 
-. 
7 
aa 


{ 


aera, rere 


Poo en et KLOUTH 
CONTEMPORARY NORWEGIAN 
72 SOYNE FJORD, NORWAY 
A fine characteristic Norwegian landscape showing the grim snow- 
capped heights rising abruptly from the water in the middle dis- 


_ tance, with a little fishing village nestling in the shelter of the green 
foothill in the foreground. 


Canvas. Signed at lower left. Height, 20% inches; width, 32 inches. 


ttonceen 


iy F. SOULACROIX 


FRENCH SCHOOL, CONTEM PORARY 


bic 


me 75 FLIRTATION 

4 Late afternoon in the Park. Old trees: overshadow the lake, in 
; which the purple and yellow shades of the sunset are reflected. On 
is tf5 0 the terrace above the lake a young couple in Directoire costume. 
a She, resting in a hammock, seems to listen with delight to the 
E gentle words which the young man addresses to her. 
a ae signed in the lower left. Height, 24% inches; width, 33V 
: Order inches. 


fi TER BORGH 


DUTCH SCHOOL, CONTEMPORARY 


74 RIVER FRONT 
The varied spectacle of the river front, with boats at anchor, build- 
aH ings huddled close to the stream, and the slender outlines of masts 
and smoke stacks. Skillful blending of color in the reds and grays 
of the buildings and in the varied shadings of the water. 


I Canvas. Signed to the right. Height, 15 inches; width, 20 inches. 
a 21 


70 


CALOBRIGEO IN 


FRENCH SCHOOL, ABOUT 1880 


GOING TO SCHOOL | 

An older girl adjusts the hat and puts the last affectionate touches 
to the toilet of her little sister who with a basket of books is just 
starting for her first day at school. (The late Solomon Mehrbach 
coll.) 

Canvas. Signed to the right. Height, 23% inches; width, 18% 
inches. 


JULES WORMS 


FRENCH SCHOOL—BORN 1837 


THEA SALE OFA IUILE 

In the street before a Spanish house, a mule iets points out the 
exceptional merits of his beast to his prospective purchasers—a 
man and wife with their small son who stand talking over the deal- 
ers arguments. Two idlers who lounge against the house watch 
the dealings with amusement. The touches of bright red in the 
costumes lend a vivid note of color to the picture. (The late Solo- 
mon Mehrbach coll.) 

Canvas. Signed to the right. Height, 20% inches; width, 28 inches. 


C.G VOOR TES 


AMERICAN SCHOOL—BORN 1871 
THE RUSTIC BRIDGE 


Small bridge spanning a stream with background of summer mead- 
ows and green trees. (Julia E. Green coll.) 

Wooden panel. Signed in the lower left corner. Height, 5 inches; 
width, 8% inches. ) 


FRANK Av BICKNEise 


AMERICAN SCHOOL—BORN 1866 
THE BOAT HOUSE 


Sketch of a small stream with a row boat on the bank awaiting 
repair. (Julia E. Green coll.) 
Canvas. Signed to the right. Height, 734 inches; width, 934 inches. 


22 


i” 
| 


| >y Cd 19 re 


EDWARD SIEBERT 


| AMERICAN SCHOOL—BORN 1856 
79 SECRET POTATIONS 


A rotund monk with his jug steals down the monastery staircase 

igt to the wine cellar. The background of the monastery with its 

'2 vaulted stone arches carefully executed. (Julia E. Green coll.) 
Canvas. Signed and dated ’S4 at the right. Height, 1634 inches; 
width, 1214 inches. 


¢ 


BFDWARD MORAN 


AMERICAN SCHOOL—BORN 1862 
80 MARINE | 
An untroubled sea, with a few sails in the distance and in the fore- 


ground rocks against which the waves dash in a mass of spray. 
O- (Julia E: Green coll.) 
Academy board. Signed to the left. Height, 21% inches; width, 


fae oe AL BR Y 


AMERICAN SCHOOL, CONTEMPORARY 
81 WOODLAND SKETCH 
7 Fanel. Signed to the left. Height, 5 inches; width, 8% inches. 


v4 


7 a THOMAS B. CRAIG, A.N.A. 


AMERICAN SCHOOL—BORN 1849 
Sete PE PIELDS 


Summer landscape of cows browsing in a luxuriant green pasture. 
Background of trees and a sky with floating white clouds. 
(Julia E. Green coll.) 


Canvas. Signed at the left. Height, 9% inches; width, 1534 inches. 
Maia H. LIPPINCOTT, N.A. 


(1. Buobor- 
AMERICAN SCHOOL—-BORN 1849 


83 THE DOLL’S BEDTIME 


A little girl in a blue pinafore kneels by the cradle of her doll, 
gently rocking her to sleep. The tender, maternal nature of the 


36 » little girl is well interpreted in her expression and posture. 


(Julia E. Green coll.) 
Canvas. Signed and dated Paris, ’76, at the right. Height, 1234 


inches; width, 10 inches. 
. 23 


WILLIAM HOWE FOOTE, A.N.A. 


AMERICAN SCHOOL—BORN 1874 


SEPTEMBER DAY sg 
Broad expanse of golden meadow bordered by a ibpeme like ‘blag 
stream. Across the stream trees and hills veiled with autumn haze 
in paler tints of yellow. The sky with billowy, floating clouds. 
(Juha E. Green coll.) 

Academy board. Signed and dated 1902 at the right. Height, 11% 
inches; width, 15% inches. | 


WILLIAM H. HOWE, N.A. 


AMERICAN SCHOOL—BORN 1846 


COW IN THE STABLE 
In the foreground a Jersey cow lies upon the yellow straw on the 
floor of the stable. The interior presents an interesting study in 
browns and yellows, the dark brown of the beams and rafters blend- 
ing with the yellow of the scattered straw and with a gleam of sun- 
light coming through the low window. Excellent study by this 
well-known American painter. (Julia E. Green coll.) 

Panel. Signed at the left. Height, 11 inches; width, 1334 imches. 


H. O. WALKER 


AMERICAN SCHOOL—BORN 1858 


THE NEW MOON 

Figure of a young woman against a background of shadowy green 
trees, the new moon rising over her shoulder. The head is slightly 
turned, and the expression on her face is wistful. The upper part 
of the body nude, the lower part draped in gray. Composition with 
simple, dignified lines. (Julia E. Green coll.) 

Canvas. Signed to the right. Height, 1934 inches; width, 12 inches. 

[SEE ILLUSTRATION NEXT PAGE| 


R. A. BLAKELOCK A 


AMERICAN SCHOOL. 1847-1919 
LANDSCAPE 


Autumn scene with trees in the foreground and fields in tints of 
brown. A gaunt brown tree outline against a cloudy sky. A fine 
bit of color painting by this famous American artist, revealed here 
in his first manner. Has been in the possession of the present 


owner for over twenty years. (Julia E. Green coll.) 


Panel. Signed and dated 1877 at the left. Height, 5 inches; width, 
8Y4 inchees. | 
24. 


mM 
_ 
i. 
> 
- 
en 
eo) 
— 
a 
4 
f2] 
pa 
= 
=) 

te 


ve) 
N 


88 


4 


89 


90 


7 Cf . iB 
7 
yoo" 


91 
Fs: 
7 ) J 
ty Jur 
roa \U/ 4 
£9 


CONSTANT “TRO yom 


FRENCH SCHOOL, 1810-1865 


A COW AND DONKEY AT PASTURE , : ens 
A brown and white cow and a small black donkey against a back- 
ground of green pasture and blue sky. The painting of the ani- 
mals has all the realism and the sympathy which mark the best 
work of this well-known interpreter of animal life. (The late Soto- 
mon Mehrbach coll.) 
Canvas. Signed to the right. Height, 26 inches; width, 21% inches. 


A, “To AGNe ae 


AMERICAN SCHOOL—BORN 1857 
SNOW IN APRIL 


A landscape of meadows and tree-clad slopes with snow still ling- 
ering in the hollows. The artist is particularly skillful in his inter- 
pretation of the varied shadings of foliage in early spring. His 
trees, with their misty greens, browns and yellows have the fresh, 
growing quality of spring. 7 

Canvas. Signed to the right. Height, 22 inches; width, 35% inches. 


BRUCE CRANE AX 


AMERICAN SCHOOL—BORN 1857 


INDIAN SUMMER 

A landscape with fields in autumn tints of gold and brown grad- 
ually rising to low purple hills. Background of a broad expanse 
of clouded gray sky with birds flying southward. By his blending 
of color the artist imparts the mellow sadness of autumn to his 
landscape. 

Canvas. Signed to the left. Height, 24% inches; width, 29 inches. 


UNKNOWN MASTER 


VENETIAN SCHOOL, SECOND HALF OF 1OTH CENTURY 


THE INFANT HERCULES 

Hercules playing with the snake. The body of the child emerging 
from the dark background in a fine warm chiaroscuro effect, char- 
acteristic of the Venetian school. Illegible Italian inscription in 
the lower right hand corner. From the Col. Henry Thomas Chap- 
man Sale, 1913. (Julia E. Green coll.) | 
Canvas. Height, 21 inches; width, 35 inches. 


26 


Ne gi? Fn mi RA er eo 


=e = 


a Ae age 


FDR Cia Aiton 


> 


é 
- 

i 
€ 


JEAN JACQUES HENNER 


. FRENCH SCHOOL, 1829-1905 
92 ALSATIAN GIRL 


Profile view. Girl of fifteen or sixteen, wearing the picturesque 

Alsatian bonnet with large red bow and streamers and a plaid 

“- woolen shawl around her neck. A clear type, blond and blue-eyed, 

) with finely modeled features. (The late Solomon Mehrbach coll.) 
Canvas. Signed to the left. Height, 10 inches; width, 8% inches. 


a. 27 
g 


Sars ire ees 
ar gl vA 7? 


7) 


BY A FOLLOWER OF MURIEE® 


SPANISH SCHOOL, LATE 17TH CENTURY 


93° ST. FRANCIS OF ASSIST AIL PRAYER 


St. Francis, bearing the stigmata on his hands, prays in an ecstacy 
of religious devotion before a crucifix. On a table near him are a 
6 skull, symbolizing the transitoriness of human life, a prayer book, 
revealing the way to devotion, and a rosary signifying salvation 
through prayer. The picture shows a fine harmony of gold brown 
foadtones, and unites subtle modelling with more striking accents in the 
eas interpretation of the head. The artist combines a refined under- 
standing of the great Spanish master with a fineness of feeling 
which reminds one of the more delicate art of the 18th Century. 
Canvas. Length, 29 mches; width, 22Y% inches. 


GERRIT GROENNINGEN 


DUTCH SCHOOL, 1754-1825 


94. THE ANGRY FISH WIFE 
) In the foreground a woman in the picturesque costume of a Dutch 
o fish wife stands with her hands on her hips and lectures her hus- 
ae 7 band who is sitting on his boat drawn upon the shore while the 
other men are out at sea working. (Julia E. Green coll.) 
ni : Panel. Signed to the right. Height, 14 inches; width, 17 inches. 


WILTIAN Ea 


ENGLISH SCHOOL, 1787-1849 
95 GRIEF | 


A recumbent nude female figure, with the head resting upon the 
fs 7 arms and one leg drawn slightly upward: The lower part of the 
body lightly veiled. Background of draperies in rich tones of 
se ire and green, drawn back to reveal a glimpse of delicately 
( ai A colored trees and sky at the right of the picture. From the Col. 
Henry Thomas Chapman Sale, 1913. (Julia E. Green coll.) 
Panel. Height, 8% mches; width, 1034 inches. 


CHARLES DURAND 


FRENCH SCHOOL, ABOUT 1880 


S07 THE EAL ZOR Seo 


The intimacy of an old fashioned workshop before the era of strikes 
and unions. An old white-haired tailor sits cross-legged on the 
A 2 table cutting a jacket while a girl in a red dress bends over a piece 
Se of sewing. The open window with its outlook over the industrious | 
yp i, city with its rows of smokestacks already predicts the coming of a ~ 
v, new era. An excellent painting revealing a broad interpretation 
of light and color values. 

Canvas. Signed at the right. Height, 56 inches; width, 40 inches. 


28 


fey GAP IST LAMBRECHTS 


FLEMISH SCHOOL, 1680-1731 


PoSUPPER PARTY IN A GARDEN 


A group of men and women in eighteenth century dress are gath- 

ered about a small round table under the trees on which supper is 

spread. The dark tones of the house and trees afford a contrasting 

setting for the costumes of the supper party. From the Col. Henry 
_ Thomas Chapman Sale, 1913. (Julia E. Greeen coll.) 

Canvas. Height, 22 inches; width, 18 inches. 


29 


LEON RiGHi 


FRENCH SCHOOL, 1844-1907 
98 THE FOREST OF FONTAINE BERAG ee 


In the foreground majestic old trees bordering the banks of a rivu- 


let running over stones. Background of sky and luxuriant meadows 


and trees. A very charming landscape by this well-known French 
artist. (The late Solomon Mehrbach coll.) 


Canvas. Signed to the right. Height, 26% inches; width, 21 inches. 
30 


JEAN GUSTAVE JACQUET 


FRENCH SCHOOL. BORN 1846 


99 PORTRAIT OF A YOUNG WOMAN 


Side view with the head turned so that the gaze is almost direct. 

A young woman of the aristocratic class wearing a small black vel- 
vet hat upon the side of her head, and a closely fitted green coat 
with a wide black velvet collar opening to reveal a white linen neck 
piece. In the fine features and the clear gaze of the lovely brown 
eyes, the artist depicts a thoughtful, innately aristocratic type. 
(The late Solomon Mehrbach coll.) : 
Panel. Signed to the upper left. Height, 12 inches; width, 9 inches. 


Fy en we 


he 


Fh a mln ae ny arty 
\ 


THEODORE ROUSSEAU 
[| ATTRIBUTED TO| 
FRENCH SCHOOL, 1812-1867 


elu A SCENE IN THE FOREST OF FONTAINEBLEAU 
A tree-grown hillside with goats playing among the large rocks in 
the foreground. Probably an early study by this famous French 
landscape painter. From the Col. Henry Thomas Chapman Sale, 
1913. (Juha E. Green coll.) 
Canvas. Signed to the right. Height, 15 inches; width, 18 inches. 


17S bhatt 
: Rese CHURCH, N.A. 


AMERICAN SCHOOL, 1842-1917 
101 DESOLATION 


A wide stretch of snow-covered ice with two polar bears in the 
foreground, one lying on the ice, dying from a wound in the side, 
the other with head uplifted, letting forth a mournful cry. The 
pale color tints of the northern sky intensify the broad expanse of 
ice, heightening the effect of desolation by the monotony of color 
effect. (Julia E. Green coll.) ; 
Wash painting. Signed and dated at the left, N. Y., ’86. Height, 
18% inches; width. 35 inches. 


p /od- 
0 Abell. 


31 


THE ALEXANDER PRESS, 114-116 WEST 27TH STREET. N. Y. 


LIST OF ARisc> 


ALEXANDER, FRANCIS 28 
AUBRY, LEWIS 81 
BAKALOWICZ, L. 52 
BALTON, E. 7 
BICKNELL, FRANK A. 78 
BISPHAM, HENRY C. 66 
BLAKELOCK, R. A. 87 
BOETTCHER, C. E. 50 
BROWN, BOLTON COLT A 
CANTO, CABRERA F. 55 
CAZORIA, ALEJANDRO 
CARDUNETS 56 
CHURCH, F. S. | 101 
CORCOS, V. | 53 
CORNOYER, PAUL 70 
CRAIG, THOMAS B. 82 
CRANE, BRUCE 90 
DEPAWN, ROBERT 4. 
DURAND, CHARLES 96 
EATON, C. HARRY 61 
EATON, WYATT 20, 21, 22, 23, 24 
ETTY, WILLIAM 95 
FIELD, R. F. 67 
FOOTE, WILLIAM HOWE 84 
GLACKENS, W. 25 
GOMEZ, CONSTANTINO 57 
GRANDVILLE, JEAN IGNACE 
ISADORE 46 
GREUZE <4. v2, (30s 31 
GROENNINGEN, GERRIT 94 
HAL, FRANS 29 
HARTMANN, SADAKICHI 14. 15 
HUBNEk, CARL 48 
HETZ, CARL 49 
HENNER, JEAN JACQUES 92 
HOFNER, JOHANN BAPTIST 42 
HOWE, WILLIAM H. 85 
INGRES, MAURICE 62 
INNESS, GEORGE 40 
INNESS, GEORGE, JR., 
34.535, Oot 
JACQUET, JEAN GUSTAVE 99 
JARVIS, TOHN WESLEY 28a 
JOHNSON, DAVID 65 
KENNEDY, WILLIAM D. 47 
KINDLER, ALBRECHT 51 


KIELHOFF, J. 54 


KLUTH, ROBERT 
LAMBRECHTS, JEAN BAPTIST 
LIPPINCOTT, WILLIAM H. 
LINNELL, JOHN 
LOEB, LOUIS 
LOBRICHON, C. 
LUKS, GEORGE B. 
MORAN, EDWARD 
MURPHY, ADA CLIFFORD 
MURPHY, JAMES FRANCIS 
MURILLO, A FOLLOWER OF 
MC CORD, GEORGE H. 
NEUBERT, L. 
NEWMAN, R. L. 
PEALE, REMBRANDT 
PIETERSZ, B. P. 
PINCHARD 
RICHET, LEON 
RHEAD, LOUIS 
ROUSSEAU, THEODORE 
SCHWARZ, J. 
SIEBERT, EDWARD 
SEIFERT, ALFRED 
SMILLIE, J. D. 
SOULACROIX, F. 
STONE, FRANK © 
TENIERS, COPY AFTER 
TERBURGH, H. 
THEURKAUFF, R. 
TROYON, CONSTANT 
UNKNOWN— 
DUTCH SCHOOL 
EARLY AMERICAN 
ENGLISH, SIGNED “R.B.” 
FRENCH SCHOOL 
ITALIAN SCHOOL oF 
RENAISSANCE STYLE 
VENETIAN 
VAN LAER, A. T. 
VAN SCHENDEL, P. 
VERBOECKHOVEN, E. 
VOORHEES, C. G. 
WAUGH, FREDERICK J. 
WALKER, H. 0. 
WIRTCH (?) 
WORMS, JULES 
WYANT, A. H. 


BS} 


\ 


a 


j 


Seliy 
A oK \ } 
sot Aah, 


q 
=F) 


5 


| 4 ¥ A i ¢ - 
Eh Ut Sigur iapcowd rik. 
oie 


LAM Np 
ia pee s 
wa a S| 
SAR ere 
Seo Paks eh \ \ \ 
SiN TEA 4 
HN? Satine , 
Aue’ 4 aa} 
A. Nae 


Be oe eee cals by Se 
k 3) € NG \ ( yi 4 
A . ee Se bet - Ca 3 
A \ 8 he i 
| ot eae 
en ae k i? \ ps 
RT Oh, (( sf 
Ra IRL BLAS 
. ta | x iB \ ( ‘igi + J Xt ( 
“SONG Veg kl a are 
ie eS ae Se 4) 
fo ae a eas 
Ni yaovs Leh SMA Se 
By ya Pod bre al re 
onteay hela 
NO pe , 
MGC Saal 
Pa i ‘\ yi t { \ 
~ a) ‘ if ? if “ “Az A 
Sl i, ee se) s ) ra 7 
wl 7 ee g J w\ 
" / TA Aa 2 x) 
OE CaN oe 
Y \ ; [ : { : ™ : ty 
‘ }y AR { /\ A. v} J 
Sahat \ a 4s - / 


aye A 

| ONES 
i ie qi ‘ 
Ce aoe ae 

ey a 


——_—1- 


ona. ti SE Tay! 


GETTY RESEARCH INSTITUTE 1): Bs a 
) 
| 


wee 

| Pie 

roe on va , 
Lay {, ie 3 3125 01663 1174 / 2) \ Py fat f 


om aot page Ie ar 4 (7) - fy 


j : m Pe, a ly ) | - 


neal Ame 
yen 
Tiel Meckta tN fas Sy AR Dect 
We ay God 


Sibd Soewaswe! 108 ‘ 
pO er HOLY rw | 
Ti Geek hana wok : 
Re ahah Hal 7g al ‘ , 
; " 
i N 


bidimese Pay PeEP 
Pyitis ast 4 A pale 
yeh 


ero Divi 
eter aeavere 


OP RRM Ry yh HU ae Lite 


Wired ‘ 
ad Dt ele Nha 


RPe esha. hae ‘ hinted whe ps, ME BSE MU 14 J en) t 
FY ask Best haste ante Meats tae rate ROR ICT 
ve EOL Gy RG YH AEA SD) COPE Re Fn cw eo 


np ten tbe evens, mara aes 
f errs 

feed Serb 

A ahke ts 89 


SR HPA RE Ay OF eben 
ea at 
Sd A ey Rr Se ep 


149 isn bul neta IAIN 


Whee Ss AWS SDDS nh hee 


pure agri ive “ety Sia EER 


as te Di tat r ve eM Ls 
Siw fahiriiy etrh mie Reais agian meee bee (A Pe ey ww ees Petre heat 4 
Nee taal yal Nien mea twaareaniy ey ce ou Dea SEV SCE WEN meee ee in Nar ue 


Sas, ata ae 


fay (YEN na) kt ae gE 
: am 


adage Wek 84 199A We 

erie Wrenn na Seay ARUP EOS 
vig ee A RMR art arta | wr MEAL 
KAP HERS RTT! Vo 
be Qty & 


PLR oP 
his hel beets 4 
event’ Yous 


ELVA Mo ad \ 
ity ees ‘ BEV Sti 7 ‘ rl B * ; y 
RG Pen ee We Fy 
LAVA TAPP ee 
Wark! bey Sythe 
Dp re ane VG gee ae 
mb BAS rer LON HIN SSE ES 
See ee ts Aga Ta ey aoe 
SBOE ere RS rts ALN eS 
meareety At aps Haunt emesis BE. ine Fis shaveetian tte) res 
Ore Pet) MY Yr k soa5) SE OPER TE a ee ee Riegel rest, 
Shy SUP HOS ESE HTH Pica ei OF Semin FEL ”, 
bbe Ls OUP A ee eof Ni. 
ea LAH WRN, Fine Bel 9 
Sada bind i 
i" “Tava 4 


We WERE! MAT yon 
Je ahs ih eta ae eee eT 
ao Bh Pid eee ok ' 


eds Che Le ter by 
hs PUR CALI SY 
ria The aah 


iad & HATE ane 


ele 


av HAN, ana te! 
hohe a Taye 


ng 
rec iee Wad, 
PES 4 
SOLE Ni uy be te eecyetes 
sinh tia REE 


Rebbe trates qs yp ae 
Sta sare 
J VY eee NS RPS 


UEHARA Safer tecses v As 


ii HYSTA? us acho hee ioe tr ig USF Se hohe nnate ee OR rye yah EKvitw wees v tal rel ine 
3 sircasprt Peon ay nla Fe BS 18, FOREN Pr Bhat, ei Ri TAT oes) 
mncesteymvutes * WPA BAAR Nig ath Pama ARES ‘ iT . 
y PSD Sy Yen. 


Sh kus wR ae * 
Hh Nessa 


a Heel € att 
PII REO? a Ey 
KW HEMP mar ike 


“fohlintd Ah stale ae a PXts Sond 
oc Natt 
Ab aL BT te OG AY el 
OE ORE EG 
MEDS Roe, 
TAMRON SHY 
i cerrere: ¥. 
Byieaes 
EAM a 


ga Ae? Bec f 

6) PONS Us VESEY 

er te were y no 

rate 22 ears ah BA ae 4 Sern rds 
spat Rey yh 

beat hee Lana scr Maal 


Ai 
avy ea) 
eeeh, Sot 


EA TAH PRR SEES Aree 
Ee 


5 oo 


ada eae, Wipeei cows 
: ued) AG fogs ahh ring 
ae Moire em 


$ bAXS tw 
See wags 
— 


ef Hee oe Aue 
pee .7 v w" 
i Dees ¥ He ers wee 


rt ri Me 


RY BIS Meigs ita eee 2 
cose A ink Pek 


WOU EAE > mete 


arn! eas 


Aa PIT UF VEO Re teh at eee (APPS TS URES YT Rae Ae Re 5 ree 

er iatcr mute yes Ming seis MITC MO RPI Ry haste eae 

4) 2 aha Wye Wran  AE HA enti aay ah panies nas SUB iy Mh La pal ote Hay 
ahaa Sa ey BROT EL sree ean ak * eet BAe TD Po heesehn en ea Five 


Rip tah Sac uhed coe Rid coed 
, Erte SMG UR WE TRAN ES 
ora Vibe each Tae abeeniee efe Sy Aeae 2 
PREP SEHD ET 


Re ie MTEL! yPrie 
Mth seen ieike avant sre fuerye ds SAE MIA ND 
ST New DPR ERY VAIS BE 


b i ql danbiae’ a8) i ' Brent Yo) cate 
te ae ne a Prete ely 
Sy reern aes het fash Sasha brates ay pot pelt 


that YAN ea BARRO POLS SG bales enh Flee Pgs: peste UE ne ie dy viapars ca 
hil nb sobenatibioercinpaiaibe acti hyve pid eager igi omer ay Meehan 4 ai ete nee Aas at pepe | eke 
5 a ST ith Ty FATA eM By BA gir ey Hd ede c Pay Reece RE HAS pn Oy il 
ene ara cee erg tel RET Dey Serer) Nea Lin a Ae DRE Gest eats Pe MCU xu ae : 
etree Se vatar a erste take mnt ea Y a Mane Ayscse & i vee Aha eh Waiees a By 
i Ta ee PLE: Shay as wy oN sare Nor Gre! : steer ras eb CES Gat oN May wv 
mien ob WEE PRG VIATOR <4 Niece i 
Me dutn tat riomeanets SBIR, i f eee 
5 H = Se if ria ie a a 
Ww pangs) Ne? Het Ne Ky es P how Atte whey \ 
pea vacrisecrhe Lag 4 33 vane a ny rods 4 Bian ea Re . Ses ak NiSpy uae) Ane ts 
44 Nab sone tons As i Ths ; Wises ae \ Hineembe shi y A Seno et 
prays nH eae eth rat ne Oy be th itty at rh n ae 
arn PACH Pah oe Saat x5e eat sachs Sb on A AMES ats pied Ash Sat + why ye es an ayer FY 
& NT feat Vans oe BSBA Ah aera fests 


arsed mis Asm. 25:50 WU Hen heem 6 Eases ae 


pa i! be eave SEAMEN) ks + 
apse es 4 a ton + ot oe Y Bi ; 
AE aE od ee ldta TAR gah la eS : iH . es - ae ont 
i ice Sct wt at 4 SAP ye Wy, 


Peete te Bn eatinieitusanenrter THN Be ere ta ‘ haa igs watt AS 
ne Pei . te 
mie by oy, 


MDE Ty PRET WORT SEY oa FS Ars ; desk hatay Su at ag 
eanmuknrusaonceVearozpeny ics sakenn RSE E APRA ED Oy Be FH saraghs oaie's 2 
Shaye 
oe f bh ote iu 
Muh airy ae cay 5 hy 


: Pe 
seme as hath Pyne weap yaya. te eer reerenteNy? — ee Rpaaien ents 
THC th any) tte 


bans 


ata ah iy rita i mine Seta TAN ANY sy heath Fis St te 
ei ay Rae Yh ner Sant ay Paria swath rere bas Spore ppt ches 
bi Spien te bes ern Meas rae 


Y sha 
ih a) me ih “miaitoer arash PS Nactit 


baM 
; Sere eae Sasa lain ca te rl as a it ye es 


t 
aay “at ott 
ah 


’ as 
iy de ry Seyret 3 


Sey sii Le tecy ee 5 REAM BS ey HEN Pinca ec 
4 Hi idias beac 2d EB TE tesa eice ‘ rats : bucwee Sa bees teases , KH ies: Ae ay i i epae i +) & re { AYR he 
revive: Cam aber perce Eepcie a) hind ba oi eeaera day bis aye ne i Ns Poy witeen dtc PURER Y Ses Meares ty Sa Fa | ra Mey Wis 
: Siaat restceronate a a ce Sih wae ent em heb kiehas' AW Pore CR NAPUTE Snr Bolen = Spee! why Roney L remit agile Am Go 
, ‘ e PREY icae AOD vane Oust ai a Ea ypae Ye ‘ 
pipsuarare by lata’ pga tipi os eh Beck <u aie eoetics Rite HN Roy 4 


2 reiseeners eA Les 

tea vfeshauba te PR eaNtea ge: i miata i Sra Use Pm FAL YAN AE 1p) ae aa Jaa 

SOR DEAS arate ae een . ae Bel Se a oe 
ony Reatard bn “be site ae eee oe ae cA 


Bye aoe 


Unter a 

ag ah eg Pe Pap 8 RH tips 
sion 
ey HEY 


Cte ee emer stt ray yy f 
bate eunearenn ce mien Ma AWS mi Mateo prin Nap 
th eae ta Wwigt oe As ee 1 bs esta agen 
a9 EMS AAS Br ; a Fae ce Mare rates 
cas tt SA SINGE ea pie paula : “nd 

ae ae es oa. 
FEAL EP YF Q en . 
a a (ote Pak ie as ae 


fe 


‘hs fe 
ie as 


Say 


( iF HY 
Aran rghit zy ie ’ re 
SS oo = “th a A aS 
mn ne Sy tk 
Pagureare CMTS be tadirh nyse seh >>) AS BAG 
2 “ ee OO d HENS NS 
(3 sone: on parabens eater ats hy 


A rvalicean 


cee me 


any tne 
i ne Ss: 


— Ae - 


ae ona 
rye We 
Sener ee : 
* heh i Py e ran ar 


thd 


Le 
caer 


hy My 4 
yy ihn 
uae Dar 
ay 


alah 
Dee eee ay 
as 


hone 
: oe 


- 


= 


eH ae e Ahh, 
ate a Ahh Ag wes i 
EAT eee ean a) i 


Bae, 


weet 
An Bi en 
Seat pests 


cae 


Pe 


npg 


An 


her 
Hie Ni yn Me 
A ie i 


w 
5 iy 
ue 
ee 


{ ba Ded 
pine? eh 


